![]() (He also spent some time in prison on drunk-driving charges, an experience that he later said forced him to clean up his lifestyle.) Despite behind-the-scenes tensions, “California Love” immediately became the kind of party starter that, 20 years after its release, can still set a dance floor on fire. Dre, for his part, plotted an escape from Death Row, alarmed at the label’s increasingly wayward drift. New signee 2Pac, one of hip-hop’s first great workaholics and a pioneer for rap’s “make 1,000 songs” model of studio profligacy, chafed at Dre’s perfectionist tendencies. Dre’s last great moment with the world-conquering label he and Suge Knight co-founded. Image Credit: Mark Peterson/Corbis/Getty Images Snoop Dogg, “Murder Was the Case (Remix)” (1994).Eminem has a goofy irreverence that helps the listener absorb some of his more outré comments, like claiming he “ripped Pamela Lee’s tits off” and “I just found out my mom does more dope than I do.” Dre humbly plays the father figure on his protégé’s star turn: “Slim Shady, you’re a basehead.” Dre makes fanciful use of Seventies British singer Labi Siffre’s “I Got the …,” and the loping bass rhythm gives the song a shrugging “Who, me?” quality that suits Em’s vocal quirks and Cheshire-cat lyrics. Dre and Eminem reportedly finished “My Name Is,” the song that would introduce him to white America, in around an hour. The trick was translating his foul-mouthed humor and complex rhyme schemes to a mainstream audience. wavs and Real Audio streaming, Eminem was already an underground sensation when Dre and Jimmy Iovine signed him to Aftermath/Interscope. Thanks to 1997’s The Slim Shady EP, which spread quickly in the early years of internet. Sadly, history repeated itself: Save for a memorable 2007 hit, “Tambourine,” nothing much came out of her second stint at the label, either. Perhaps inspired by the Top 10-charting, Grammy-winning success of “Let Me Blow Ya Mind,” Eve rejoined Dre’s Aftermath camp in 2004. “Drop your glasses, shake your asses,” she commands. “Let Me Blow Ya Mind” has the same ringing blues-guitar melody that girded Dre’s “Xxplosive,” but it sounds lighter here, and Gwen Stefani’s sassy chorus gives it a winningly pop tone. A second deal with Ruff Ryders set her on the right path, and by the time she rejoined Dre for the biggest hit of her career, she was one of rap’s biggest stars. I just wanted my album out, but I didn’t know who I was as an artist, and I think Dre works really good with artists who know their own directions,” she told XXL magazine in 2004. As Eve of Destruction, Philadelphia rapper Eve Jeffers was one of the first artists signed to Dre’s Aftermath Entertainment. ![]()
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